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《仙杜拉》 Cendrillon
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歐陸最重要導演翻轉灰姑娘、亞洲首演
《仙杜拉》

節目類別:舞台劇
演出時間與地點:

時間:2015年12月11日(五)19:30
         2015年12月12日(六)19:30
         2015年12月13日(日)14:30

地點:臺中市葫蘆墩文化中心演奏廳(臺中市豐原區圓環東路782號)

點我看詳細地圖

法語發音,中文字幕

 

票價:600、900
75 折
◎歌劇院序曲卡會員,雙城套票(任選中彰投兩城市場次)2張(含)以上
8折 ◎歌劇院序曲卡會員
9折 ◎任選場次兩張(含)以上 ◎兩廳院之友 ◎憑「南投縣藝文生活護照」購票
演出團隊:
導演/喬埃·波默拉
比利時布魯塞爾國家劇院
團隊介紹:


©CiCi Olsson

導演/ 喬埃•波默拉 Joël Pommerat

喬埃•波默拉生於1963年,被譽為法國當代劇壇難得一見的編導奇才,他能編擅導,並擅於運用各種舞台技巧,融合在文字之中,營造出高度濃縮而精準的劇場美學,因此有評論者稱他為「演出的作者」(auteur de spectacle)。波默拉幾乎所有作品都是自編自導,因為他相信只有劇作家本人才能真正了解自己的劇作,也最清楚導演方向。作為法國當代劇場最具創造力,也最引發討論的中生代劇作家和導演,波默拉幾乎拿盡了法國所有重要的戲劇大獎,例如憑《這個孩子》(Cet Enfant, 2006)獲得劇場評論學會大獎(Grand Prix du Théâtre du Syndicat de la Critique)、憑《商人》(Les Marchands, 2006)獲得戲劇文學大獎(Grand Prix de Littérature Dramatique)、以及憑《圈子/小說》(Cercles/Fictions, 2010)和《我的冷房》(Ma Chambre Froide, 2011)獲得莫里哀獎(Molière Award)等等。2007年,巴黎北方劇院(Théâtre des Bouffes du Nord)的布魯克邀請波默拉擔任駐團藝術家,期間他創作了《我顫抖 (I)》(I Tremble(1) , 2007)及《我顫抖(II)》(I Tremble(2), 2008)。他亦曾擔任巴黎歐德翁歐洲劇院(Odeon Theatre de I'Europe)的聯合藝術家,而現在則在布魯塞爾比利時國家劇院(Théâtre National de Bruxelles)擔任相同職位。
波默拉的近作還包括《偉大且令人難以置信的商業史》(La Grande et Fabuleuse Histoire du Commerce, 2011)以及《兩韓的重新統一》(La Réunification des deux Corées, 2013)等,主題亦多與資本主義和世界政治中人如何在異化扭曲之中生活有關。另外,他還有不少改編自童話故事的作品,例如《小紅帽》(Le Petit Chaperon Rouge, 2004)、《木偶奇遇記》(Pinocchio, 2008)及《仙杜拉》(Cendrillon, 2011)。

 

比利時布魯塞爾國家劇院

比利時布魯塞爾國家劇院是比利時境內第一座法語劇院,成立至今已65年,由比利時法語區文化部資助,現任總監為尚路易‧哥連尼特(Jean-Louis Colinet)。比利時布魯塞爾國家劇院是座頗富盛名的劇院,平均單季可達十檔製作,每年皆有多檔巡迴演出。劇院時常和優秀的藝術家合作,對年輕創作者作品十分重視,而且積極進行多元性的國際合作,能與各式各樣的觀眾群激發出對話。

從2011年至2016年,比利時布魯塞爾國家劇院舉辦了一項名為「舞台上的城市」(Villes en scène)的長期計劃,並獲得了歐盟委員會的支持。該計劃共聚集了七個歐洲劇團和藝術節的作品,呈現出在城市中共存的主題。七個製作在歐洲各地巡演,引發了對於重要議題的思考,促使藝術家、年輕人和民眾關注歐洲大陸,並且一同創造出對當下與未來的想像。

自2005年起,比利時布魯塞爾國家劇院與布魯塞爾佛蘭德皇家劇院(Royal Flemish Theatre of Brussels)密切合作,尤其是Toernee General計劃。下一季開始,這兩間劇院將推出合辦課程,從忠於戲劇本質的創新演出出發,讓各地民眾皆能參與,並挑戰社會的真實的一面與既有成見。

 

編劇與導演/喬埃‧波默拉 Joël Pommerat
舞台與燈光設計/艾西克‧索耶爾 Eric Soyer
燈光設計助理/溫德‧馬拉 Gwendal Malard
服裝設計/依莎貝爾‧迪方 Isabelle Deffin
音效設計/法蘭斯瓦‧勒瑪西 Francois Leymarie
影像設計/賀諾‧霍比亞諾 Renaud Rubiano
原創音樂/安東‧勒瑪西 Antonin Leymarie
助理導演/皮耶-伊夫‧勒波赫 Pierre-Yves Le Borgne
演 員/阿爾弗雷多‧卡納法蝶 Alfredo Canavate
             納歐蜜‧凱佑 Noemie Carcaud
             卡羅琳‧唐納利 Caroline Donnelly
             凱瑟琳‧麥斯杜西 Catherine Mestoussis
             黛博拉‧霍雅許 Deborah Rouach
             馬塞拉‧卡赫拉 Marcella Carrara
             尼古拉斯‧諾爾(說書人) Nicolas Nore
             朱利恩‧戴思麥

巡迴總導演/菲利普‧卡波納奧 Philippe Carbonneaux
巡演經理/艾曼紐‧阿貝特 Emmanuel Abate
燈光執行/吉拉姆‧赫佐 Guillaume Rizzo
音效執行/安東‧波蓋恩 Antoine Bourgain
影像執行/格瑞格爾‧蕭梅爾 Grégoire Chomel
舞台執行/朱利恩‧戴思麥 Julien Desmet
     尼古拉斯‧諾爾 Nicolas Nore
服裝/娜塔莉‧葳稜 Nathalie Willems

 

製作單位/比利時布魯塞爾國家劇院 Theatre National de Bruxelles
特別感謝/法國在台協會 Bureau Français de Taipei
                    法國藝文推廣署 INSTITUT FRANÇAIS
出版/Éditions Actes Sud-Babel、Actes Sud-Heyoka Jeunesse
繪畫/Roxane Lumeret

 

演出內容介紹:

一個從悲傷的故事中醒悟,追求夢想未來的勇敢故事。

 

走出童話的灰姑娘,在編導喬埃•波默拉(Joël Pommerat)筆下,因為過度悲傷,誤解了母親臨終遺言而深陷自責;姨母家裡的新生活像一個沾滿灰塵的窗,藍天雖不遠、卻永難清澈。精靈出現了,是母親差來的愛,這個綿延無盡的愛讓仙杜拉有了力量,她知曉了原來母親是要她把窗打開,擁抱炙熱的人生;而母親早已幻化成她心中的永恆,不曾遠離。

波默拉被公認為歐陸最重要的導演,不同於一般公立劇院總監,波默拉自創獨立劇團,並以原創編導著稱。他的作品犀利、手法卻俐落而溫暖;《仙杜拉》由比利時布魯塞爾國家劇院(Théâtre National de Bruxelles )製作演出,是波默拉最易於親近、詼諧感人、膾炙人口的作品。戲中一場搖滾音樂會,簡潔而饒富趣味波默拉亞洲首演選在臺中,座位因應演出需求極為有限,敬請把握。


《仙杜拉》  ©CiCi Olsson

《仙杜拉》  ©CiCi Olsson

 

在波默拉的版本裡,女主角是一個易怒又憂鬱的孩子,叫做仙杜拉。她一直無法從母親過世的傷痛記憶中走出,但因緣際會遇見一位有點嬉皮但又有智慧的教母以及天真無邪的少年王子,仙杜拉因而釋放加諸於自己身上的悲傷,勇敢追求自己的人生。這是一齣探究失去、拋棄與自我成長的溫暖戲劇,自首演以來,巡演不輟。


《仙杜拉》  ©CiCi Olsson

 

 

▲節目約100分鐘,無中場休息
▲法語發音,中文字幕
▲節目內容有點燃香菸之戲劇表演效果,請斟酌入場
▲演前導聆:每場次演出前30分鐘於葫蘆墩文化中心演奏廳大廳舉行
▲演後座談:12月13日(日)演出結束後,於演奏廳內舉行
▲節目開演後,將不再開放觀眾進入觀眾席,亦不辦理退票,敬請提早入場

 

延伸閱讀 • 名人推薦

Cendrillon

Time and Venue:

Date & Time
Dec 11, 2015 (Fri) 19:30
Dec 12, 2015 (Sat) 19:30
Dec 13, 2015 (Sun) 14:30

Venue
Taichung Municipal City Huludun Cultural Center Recital Hall (No. 782, Yuanhuan East Road, Fengyuan District, Taichung City)
MAP

* French with Chinese subtitles

 

Artist:
Joël Pommerat, stage director
Théâtre National de Bruxelles
Artist Description:

Joël POMMERAT, Playwright-Director

"I don't write plays, I write shows... The text is the mark the show leaves on paper. Theatre texts are not written... That's not the essence of theatre for me. Theatre is seen and heard. It moves, it makes a noise. Theatre is performance... When I make the people on stage speak, I am faced with the question of speech and words. But working on the gestures, the attitude, the movement of an actor is as important as working on the words. I reject the idea of a hierarchy between these different levels of language or expression in the theatre. Theatrical poetics is not only literary."
"Troubles" by J. GAYOT and J. POMMERAT. - Ed. Actes Sud, 2009, p. 19-21

Joël
POMMERAT set up Compagnie Louis Brouillard in 1990, through which he produced his own texts, particularly at Théâtre de la Main d’Or. He produced Pôles et Treize étroites Têtes (CDN des Fédérés, 1995 and 1997), Mon Ami, Grâce à Mes Yeux or Cet Enfant (Théâtre Paris-Villette, 2001-2002 and 2006), Qu’est-ce Qu’on a Fait? (CDN de Caen, 2003), Au Monde (produced at TNS in 2004 before touring France and abroad), Le Petit Chaperon Rouge (Brétigny-sur-Orge, 2004), D’une Seule Main (Thionville, 2005), Les Marchands (TNS, 2006; Grand prix de littérature dramatique, 2007).

In 2006 and 2008 Compagnie Louis Brouillard was invited to the Festival d’Avignon to stage a number of shows and produce Je Tremble (2) there. Between the two parts of Je Tremble (1 and 2), Pommerat produced his Pinocchio in 2008, followed by two shows that earned Louis BROUILLARD two consecutive Molière des compagnies awards: Cercles/Fictions at Bouffes du Nord (2010) and Ma Chambre Froide at Ateliers Berthier. The latter also won Joël POMMERAT the 2011 Molière for best living French-speaking playwright and the Europe Theatre Prize / new realities as well as the Grand prix of the union of critics. He then produced Cinderella at Théâtre National de Bruxelles (2010); La Grande et Fabuleuse Histoire du Commerce (Comédie de Béthune, 2011); Thanks to My Eyes, an opera by Oscar Bianchi based on a booklet by POMMERAT himself, and Grâce à Mes Yeux (Aix, 2011). In 2013, after La Réunification des deux Corées, for the first time he staged a text written by another playwright: Une Année Sans été by Catherine ANNE. Compagnie Joël Pommerat is now associate artist at Théâtre National de Bruxelles and Odéon-Théâtre de L’Europe. His work is published by Actes Sud-Papiers.

 

Théâtre National de la Communauté Française de Belgique 
Brussels - Belgium 

Born 65 years ago, the Théâtre National de la Communauté française in Brussels is the first French-speaking theatre in the country. It is funded by the Ministry of Culture of the Federation Wallonia Brussels and is now directed by Jean-Louis COLINET. The number of its productions (up to ten in a season), the quality of the many associated artists, its widereaching renown (many works on tour every year), the importance that it attaches to the work of young creators, the diversity of its international artistic partners and the dialogue which it fosters with its different audiences, are the theatre’s strong points. 

From 2011 to 2016, the Villes en scène/Cities on stage project, initiated by the Théâtre National with backing from the European Commission, brings together seven European theatres and festivals on the theme of living together in the city. Seven productions have crossed Europe to raise important questions in other countries and many artists, young and adult citizens, have been invited to observe our continent and to work together to invent stories of today and tomorrow. 

Since 2005, the Théâtre National and KVS, the Royal Flemmish Theatre of Brussels, have been working closely together, especially through the Toernee General project. For the coming season, the two institutions have decided to propose a joint program. This programme is open to a wide and varied public and is above all based on innovative and committed drama. It is open to the realities of the world and to the major preoccupations that we meet today.

Cinderella Artistic and Technical Distribution
Text and director: Joël POMMERAT
Stage design and lights: Eric SOYER
Lighting assistant: Gwendal MALARD
Costumes: Isabelle DEFFIN
Sound: François LEYMARIE
Video: Renaud RUBIANO
Original music: Antonin LEYMARIE

Actors:
Alfredo CAÑAVATE: Father of the very young girl, king
Noémie CARCAUD: Fairy, a sister
Caroline DONNELLY: Second sister, prince
Catherine MESTOUSSIS: Mother-in-law
Deborah ROUACH: Very young girl
Marcella CARRARA: Narrator’s voice
And Nicolas NORE (narrator), Julien DESMET (extra)

Assistant tour director: Philippe CARBONNEAUX
Tour general director: Emmanuel ABATE
Lighting controller: Guillaume RIZZO
Sound controller: Antoine BOURGAIN
Video controller: Grégoire CHOMEL
Stage controller: Julien DESMET, Nicolas NORE
Dresser: Nathalie WILLEMS

Production: Théâtre National de Bruxelles in coproduction with La Monnaie/De Munt.
In association with Compagnie Louis Brouillard
Cinderella is published by Éditions Actes Sud-Babel and Actes Sud-Heyoka Jeunesse, illustrations by Roxane LUMERET.
Special Thanks: Bureau Français de Taipei and INSTITUT FRANÇAIS

Synopsis:

Barely more than a child, a very young girl is tied to the bedside of her seriously ill mother. A few words – uttered in a low voice by the dying woman, exhaled with a breath, and perhaps "misunderstood" by the girl – and she is bound, charged with her mission, held to her role...

Joël POMMERAT is a sorcerer; full of tenderness for humans and their torments, but a sorcerer nonetheless. He would have to be to transform this fairy tale, Cinderella, a touch vapid as it is, into Cendrillon, a show of such rare intelligence, such dazzling poetry. POMMERAT's Cinderella is Sandra, who believes the last words of her dying mother are that she has to think of her every five minutes or she really will die. A booming watch, singing an exasperating refrain, reminds her of this oath, an acid gag provoking a laugh that soon becomes disturbing. The death of this mother, quickly disposed of by the Brothers Grimm, is the beating heart of this story, a stimulating contemplation of the links between sorrow and guilt. Thanks to a formidable troupe of Belgian actors, highly lucid writing and a cinematographic stage design with dark aesthetic qualities – something of a trademark after his previous plays Le Petit Chaperon Rouge and Pinocchio, Joël POMMERAT tactfully endows the fairy tale with a real sense without losing its enchantment. A huge success in recent seasons, Cendrillon will captivate everyone aged ten and upwards who refuses to choose between their childish spirit and their adult reality.

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▲ Duration: Approximately 100 minutes with no intermission 
▲ French with Chinese subtitles.
▲ The performance includes the use of cigarettes. 
▲ A pre-show talk will be held in the main lobby 30 minutes before each performance. 
▲ A post-show talk will be held in the main lobby on December 13 (Sun) after the performance.
▲ Please arrive early for the performance. Latecomers will not be admitted and tickets are non-refundable.